A Mad Tea-Party

Hebdomadal of Anna's Adventures in Wonderland

Friday, November 04, 2005

Black TeaV

I entered the kitchen. I lit the oven and entered my tart (in the pie-meaning of the word). I sat down and had a chat with one of my floormates about Guy Fawkes. And slowly, very slowly, it dawned on me that something was wrong: the tv was switched off!

This glorious state lasted for five minutes. Then a second floormate found the loose plug and put it back in.

However, with ten British students living here, I might use this strategy another eight times!

Two further notes on the previous entry

(I hope you read them in chronological order? Well, I do believe most of you are so systematic as to do that naturally; otherwise: I would recommend to read the previous entry first, or this one might prove unintelligible)

1) There are many faculties/departments/disciplines from which to perform cultural studies. If you consider cultursal studies to be a goal and an attitude, you could perceive of the different disciplines (archaeology, sociology, psychology, anthropology, etc. ) as providing different methods. As you had already understood from my love of books and texts & certain periods in the past, I prefer the methods and insights of history. But that's a matter of taste.

2) In spite of my curiosity and, let's say, intellectual/critical interest (anyone know a better term? I'm sure it exists), my earliest and strongest dreams have never been to become a scientist. Until recently I was determined I would never write a PhD dissertation. Although Academia is an inspiring world, it can feel uncomfortable and small. I have always wanted (but again, this is all much too ambitious) to create something. Now my hopes are set on cultural studies as a beginning in the reconciliation of these things...

What I study...

When someone would ask me what I study, and I would be in a lazy mood, I would say "history", or "literature", or "music" or something silimar. Sometimes I would take more trouble to try to explain that my studies are a mixture of cultural history, anthropology, literary theory, gender studies, art sociology and some other stuff.

What I actually do is a slow process of discovery for myself as well. Now and then I read a book than causes a minor breakthrough in my understanding of how everything I study is connected. Literary theory: a very short introduction by Jonathan Culler was such a book. The book I'm currently reading is another one: Introducing cultural studies by Sardar and Van Loon.

Let us from now on say that I do Cultural Studies.

What is cultural studies? Difficult question...

About the topics under investigation by people doing cultural studies I can be short: it's everything. Or actually a little bit less: it's everything humans do and have done and will do. Culture. So it doesn't study the earth as it would be without humans, or galaxies as they are without humans, or genetics as they would be without humans. But it does study how humans study the earth as it would be without humans, etcetera. It does study science, art, everyday life, politics, sports. ettiquette, morals, media, mental conceptions, social stratification, the socio-economic history of cottage cheese farms (inspiration next to me on the table).... and that's just the beginnnig of a decimals-of-pi-kind-of-list.

Cultural studies may become a bit clearer to you when we consider the perspectives from which it studies culture. A long list (again) of theories is available to the analyst of culture: materialist theory, feminist theory, post-colonial theory, queer theory, functionalism, structuralism, ideaism, relativism, culturalism, paradigm theory, reflectionism, post-modern philosophy, speech act theory, reception theory, deconstructionalism, et cetera. This al sounds very frightening (and it is...it is hard to find your way through all this...), but fortunately many of these theories turn out to have major overlaps in practice.

Often, these theories are interpreted as ideologies - in other words: often they are ideologies. You might call yourself a feminist and be convicted (and in your academic work try to convince others) that throughout history, the status of women has always been inferior to that of men, that men have been busy consolidating their power, and that women should challenge it because they are entitled to the same status, power, etc, as men. Or you might call yourself a post-feminist (as I happen to do) and argue that although this might be true to a certain extent, it is impossible to conceive of men and women as monolithic and diametrically opposed groups. For example, differences in power between women are probably larger than differences of power between women on the one and men on the other hand. Many men have been/are dominated; many women have (had) power over men, or over other women. "Global sisterhood" or common interest is a fraud. Men have never unifiedly tried to control women. Historical figures, both men and women, have always been much more pragmatic. Second wave feminists have overestimated the consciousness and purposefulness of acts of domination. Powerrelations can be explained much more fruitfully if other factors, like class, sexuality and "race" are taken into account. In fact, here post-feminism, post-colonialism, modern marxism an some more theories/ideologies merge and become one.

However, all this was about these perspectives as ideologies. But you don't need to be a marxist to use marxist theories to analyse phenomena. Often it is interesting just to look what happens if you try to, for example, interpret a poem psychoanalytically. (Personally psychoanalytic ideology disgusts me, but it still offers valuable insights that can be used elsewhere).

But what makes people want to collect all those theories under a single name, cultural theory? Partly, it has to do with history, with the reserachers and the universities and the journals where all these ideas came together and influenced each other. However - and now I return to my book - there is one important aspect of cultural theory I haven't mentioned so far. That is, that it wants to be engaged. It is not just an academic exercise, because what would be its purpose? Other disciplines that are equally distant from and unintelligible for the general public (I guess all academic disciplines...) each have a relation to wider society in their own way: psychology might influence treatment, educationl studies might change educational strategies, medicine influences health, drama studies - performances, archaeology - museums, economics - financial policy, etc. I have given rather arbritrary and simplistic examples here, but you get the idea. So what does cultural studies want to do? I quote my book:

"Its constant goal is to expose power relationships and examine how these relationships influence and shape cultural practices. [...] Its objective is to understand culture in all its complex forms and to analyse the social and political context within which it manifests itself. [...] it is both the object of study and the location of political criticism and action. [in other worsd: its articles and books want to influence society] It aims to be both an intellectual and a pragmatic enterprise. Cultural studies attempts to expose and reconcile the division of knowledge [...] It assumes a common idenity and a common interest between the knower and the known. [in other words: it is not about other people, observing them like you would observe bacteria; but is to people: the reader, the researcher and the object of study become one!] Cultural studies is committed to a moral evaluation and to a radical line of political action". [it does not believe that science can be objective or value-free.]

This is very ambitious. And I don't excpect to be able to live up to it. But I do believe it is a good ideal to reach out to. To extend the medicine-simile: (most) doctors don't expect to eradicate death or disease, but they do continue to try and cure people.

That was it for the moment: time to perform some cultural study!

Most of today was spent in the museum and their annex at the riverside (of the river Exe), carrying bones and skulls and teeth of ...
elephants and hippopotamuses, from...
Somerset!

Some twenty years ago they were constructing a new highway bypass somewhere in Somerset (I forgot the name of the place, sorry), and hit upon a mass of bones. Paleontologists got four days to dig up the lot: there was no time to document the configuration the bones where found in, or to store them away properly... so now they have to do all that, and we had to pick up some of these bones from a horribly ill-conserving depot (inadequate package, labels, atmosphere, etc.) and drove them up to the museum, carrying them through the backyard, over dodgy fire escape stairs (very romantic, but unsuitable for our job... elephant jaws can be quite heavy you know), through the museum, to the 'secret cellar' where we work (which of course isn't secret at all, but is hidden away so well that I was completely surprised on the first working-day to suddenly find myself in a huge basement, which had been unvisible from the outside. I'm afraid this sounds rather vague; maybe this makes it more clear: in the middle of one of the galleries four pieces of plywood form a tiny room. However, behind its door are deep winding stairs, leading to this, well, sort of secret, cellar. I love it!).

By the way: I found a decent pop/rock/country/whatever music radio station: BBC radio 2.

About racing horses (see http://nican-nicuica.blogspot.com/): it appears that not only was the horse well-loved, named Best Mate, and did he suffer from a fatal heart-attack at Exeter racecourse, but his owner expressed the wish to bury him in this same race ground. However, gov leg sadly demands him to be cremated... Want more? Have a look at the fascinating site of horseandhound.co.uk: Home of Equestrianism! (I guess it's similar to the Dutch magazine arts&auto.)

In the meantime, November storms have broken here. I heard similar mentions about London, but how are things in La Patrie? (Speaking about which: another evidence that expats are 'roomser than the pope', in other words more nationalistic than 'pats': http://www.patrie.net/. Which might be a bad sign for me own future...

After a full year of voluntary abstinence I have returned to vampirism. Or at least: I have started reading (the rest is private) in my Penguin book of vampire stories, received from Sinterklaas almost a year ago now. I will report to you:

Lord Byron (the famous one) wrote one of the first vampirs stories in the English language (of course the German romantics were way ahead of him). Don't read it. (Except if you have a scientific interest in the image forming of the modern literary vampire, as I happen to have.) Dr. Polidori did a better job, probably parodying Lord Byron himself in the figure of his vampire Lord Ruthven. Then we have Varney the Vampire, a hugely popular "penny dreadful" that appeared in weekly portions for over two years (!). No need to say the author, or at least the publisher, made big money. And that's exactly what it is: an easy way to make money. It's vulgar, sometimes even ridiculous. and of no literary interest whatsoever; exploiting the sexual anxieties of its audience (in this case: fear of rape) for cheap effect. (You see: I'm practicing for my future as a cultural entrepeneur). But again, interesting for cultural historians.

But now for the good part: I found one sentence in Varney I would like to share with you: "The dread trumpet of eternity could not more effectually have awakened any one". Think Apocalypse. Think Book of Revelation. See http://members.aol.com/Wisdomway/revelations2.htm#anchor2702820 under The Seven Trumpets for an explanationon and http://bible.cc/revelation/1-1.htm for full-text and commentaries.

Good part Part II: Good Lady Ducayne is an okay story about the companion-girl of a vampire lady, but you should certainly read Carmilla. It's short and conveniently published on www.gutenberg.org/etext/10007 . It is from 1872, but, like the other ones, pretty explicit sexually. What's more, it's explicit homosexually. Who would have thought to find the following?

“I took her hand as I spoke. I was a little shy, as lonely people are, but the situation made me eloquent, and even bold. She pressed my hand, she laid hers upon it, and her eyes glowed, as, looking hastily into mine, she smiled again, and blushed” (10). Somewhat later Carmilla (the vampire) asserts that Laura needs not be afraid of death: “‘But to die as lovers may - to die together, so that they may live together. Girls are caterpillars while they live in the world, to be finally butterflies when the summer comes’” (16).
and "she would press me more closely in her tembling embrace, and her lips in soft kisses gently glow upon my cheek". Etcetera.

(Actually, I found all this a year ago, working on a long paper, and that's why I had to take some time off from vampires.)

That's how fare I have come. Next in the Penguin Book is "The mysterious stranger (1860) Anonymous". Sounds good.

I was planning to write about "what I study" as well today , but I'm sure you've had enough by now, so I bid you goodnight.